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When something naturally accumulates over a surface, like the snow over a form, it leaves this perfect presence, this ghost. The language of the GHOST collection is ephemeral and takes on the challenges of balancing the hand and the machine.

After spending a decade experimenting with and hand-casting unusual materials, the extreme precision and restraint in minimal geometries of these tables, consoles, and stools demanded a new technique — the use of a robotic arm. To make these large-scale, heavy, and perfect pieces that emulate the gravity of nature with the softness of carved cement, new technologies were implemented and new boundaries were pushed.